第一代的终章,一部星际版政治惊悚片,法庭戏、越狱戏、推理戏各有看点(悬疑和谍战元素的加入无疑有助于向类型片靠拢,但或许成败皆在于此);莎士比亚不愧是引用率仅次于圣经的英语文本,某克林贡将军几乎像莎剧台词百科全书;不认同对亚美利加价值观的过度输出,太空时代历史/未来解读的多义性应被容许(对克林贡文明的他者化表述本就多少有些西方人类中心主义)。 P. S. 一点迷思:主战者对和平的拒斥姿态,是否来自从自然状态进入契约的空前焦虑?
So that's what Rick called a 'Cronenbergian monster'. I sense that Cronenberg possesses a way of making some true Cthulhuian type of horror: not just withholding the horrifying reality til the end, but keeping the balance between showing the horror in the flesh and hiding its ethology. Plus, the psychiatrist is truly the new sorcerer of modern time (according to Foucault)
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